杨冕在世界鉴赏家盛典(香港)
展览及论坛活动
Yang Mian at The Festival of Connoisseurs
Exhibition and Forums · Hong Kong
2026年11月4—6日|香港亚洲国际博览馆,3—6号展馆
4–6 November 2026 · AsiaWorld-Expo, Halls 3–6, Hong Kong
参观注册:注册参观|邀请码:TFOCDF
Visitor registration · Code: TFOCDF
展览 / Exhibition
色境素界
The Realm of Colour, The Ground of Plainness
从色入境,由技还素。
Through colour into the realm; through craft, back to the plain.

东方艺廊是世界鉴赏家盛典于「Galerie 艺廊世界」下推出的2026年度策展叙事。它重读而非复制1878年巴黎世界博览会 Galerie orientale 的历史,在文明交汇的香港,让东方成为书写自身当代美学的主体,展开一场流动的当代东方文艺复兴。
Oriental Gallery is TFOC’s 2026 curatorial narrative within its Galerie realm. Revisiting rather than replicating the history of the Galerie orientale at the 1878 Paris Exposition Universelle, it positions the East as the author of its own contemporary aesthetics in Hong Kong, a meeting point of civilizations—a living, fluid renaissance.
世界最先以颜色抵达我们,而东方审美最终回到本色。佛家语境中,「色」指眼所见,「境」指感官所及;《论语》的「绘事后素」与《易经》的「白贲」,引领观者越过繁饰、回到本色。生丝、生麻、生漆是未经加工的「生」之素;漂练去色,则是经由技术而得的「熟」之素。编麻、髹漆、研墨与分色、漂白,让古老技艺与现代技术相遇。由技成器,器中见道。技术在此不是炫技,而是让颜色退去、让本真显现的方法。
The world first reaches us as colour; Eastern aesthetics ultimately returns to plainness. In Buddhist thought, se refers to what is seen, while jing describes the realm of sensation. The Analects’ idea of painting upon a plain ground and the Book of Changes’ notion of plain adornment lead beyond ornament toward the essential. Raw silk, ramie and lacquer are plain because they have not been worked; scoured and bleached cloth achieves plainness through technique. Weaving, lacquering and ink grinding meet modern colour separation and bleaching. Craft becomes an object, and in the object the way can be seen. Technique is not a display of virtuosity, but a means for colour to recede and the underlying nature to emerge.
展出作品 / Exhibited Works

CMYK—五方佛,西藏夏鲁寺,260 × 165 厘米 × 5,布面丙烯,杨冕,2022
CMYK — The Five Dhyani Buddhas, Shalu Monastery, Tibet, 260 × 165 cm × 5, Acrylic on canvas, Yang Mian, 2022

CMYK—五代慈胜寺壁画菩萨坐像,160 × 130 厘米,布面丙烯,杨冕,2020
CMYK — Seated Bodhisattva Mural at Cisheng Temple, Five Dynasties, 160 × 130 cm, Acrylic on canvas, Yang Mian, 2020

CMYK—清·邹一桂《玉堂富贵图》,160 × 90 厘米,布面丙烯,杨冕,2024
CMYK — Jade Hall of Wealth and Prosperity, after Zou Yigui, Qing Dynasty, 160 × 90 cm, Acrylic on canvas, Yang Mian, 2024

CMYK—清·华嵒《三高士图轴》,160 × 90 厘米,布面丙烯,杨冕,2024
CMYK — Scroll of the Three High-minded Scholars, after Hua Yan, Qing Dynasty, 160 × 90 cm, Acrylic on canvas, Yang Mian, 2024
论坛 / Forums
欲鉴非凡,先观其成
To Appreciate the Extraordinary, First Understand Its Creation

非凡之作,不止于成品本身。其背后,是艺术家用知识和艺术学理对时代的创造与回应,以及完整艺术逻辑的建立。艺术价值亦不止于价格,而是在笃定的逻辑线索中珍视生活和艺术。两场圆桌从创作者现场走向价值现场,讨论艺术如何为价值和生活赋能。
An extraordinary work extends beyond its finished form. Behind it lies an artist’s response to the times, shaped by knowledge, artistic inquiry and a coherent creative logic. Artistic value likewise reaches beyond price: it concerns how we cherish life and art through a sustained line of thought. Two roundtables move from the creative process to the question of value, exploring how art enriches both.
论坛一:非凡的创造者
Forum I: The Extraordinary Creators
11月4日 15:10—15:45|主舞台
4 November 2026, 15:10–15:45 · Centre Stage
杨冕与名厨邓华东、Kay Tu 同台,由《Tatler China》范力主持。从厨师与艺术家的视角,分享创作背后的逻辑、歧路与取舍,带领观众越过成品,理解作品形成的过程。
Yang Mian joins chef Deng Huadong and Kay Tu in a discussion moderated by Fan Li of Tatler China. Bringing together culinary and artistic perspectives, the conversation explores the logic of creation, unexpected paths and choices behind a finished work.
论坛二:当艺术成为资产
Forum II: When Art Becomes an Asset
11月6日 12:00—12:35|主舞台
6 November 2026, 12:00–12:35 · Centre Stage
杨冕与 Frankie Fang 对谈。一位以信念购藏艺术的另类投资人与其收藏作品的艺术家同席,探讨购买艺术与艺术相伴、艺术价值与市场价格之间的关系:当艺术品消费成为资产,我们究竟应珍视什么?
Yang Mian speaks with Frankie Fang, an unconventional investor who collects art through personal conviction. Bringing an artist together with a collector of his work, the discussion considers acquiring art, living with art, and the distinction between artistic value and market price. When an artwork becomes an asset, what should we truly cherish?
场地信息 / Venue Information
展览:东方艺廊|论坛:主舞台
香港亚洲国际博览馆,3—6号展馆
以上时间均为香港当地时间。
Exhibition: Oriental Gallery · Forums: Centre Stage
AsiaWorld-Expo, Halls 3–6, Hong Kong
All times are local Hong Kong time.

